Anthologizing is a form of criticism, and the beloved Bulgarian poet Geo Milev had gone far and wide for his Anthology of the Yellow Rose: Lyrics on Blighted Love (1922). In it he included—and personally translated from the English, Russian, French and German—works by Yeats, Keats, Shakespeare, Wilde, Sologub, Régnier, Franko, and Platen. In an uncharacteristic move, he included several of his own poems, one of which is “Until We Meet Again,” or Dnevnik: literally, “diary.” Although the precise year of its writing is unknown, it is first anthologized in 1920 and it isn’t hard to imagine the poet writing it for a lover before being sent off to fight in the Great War in 1916 and losing part of his skull and his right eye fighting for his country on Germany’s side. The writer, translator, and editor is an expressionist and futurist, but above all, he is a consummate poet. The rhyme is unobtrusive, the imagery of blood—the symbol of life, or lack there of—unrelenting. His obsession with death foreshadows his own tragic end at age 30.