Paolo Fresu

Ambre (Track from album “Desertico”)

Italian trumpeter Paolo Fresu has always been more angel than devil, though he's fronted quartets that name check both of those respectively heavenly and hellish entities. His horn work is coolly lyrical and spellbinding, regardless of the setting it's found in, but Fresu also has an impish side to his personality that takes over at certain times; he taps into that deviousness in a few places on Desertico, but the majority of the music is gorgeous, reflective and peaceful. 
While the title of the record points to the dry, arid and lifeless spaces of this world, the songs are anything but. Fresu and his Devil Quartet create music brimming with life, clarity, sensitivity and strength; Desertico is a musical oasis, not a barren desert. 
In Maggiore album

 

Sardinian-born trumpeter Paolo Fresu and bandoneonist Daniele di Bonaventura from Fermo, Italy, indicated the depth of their musical understanding on 2010’s Mistico Mediterraneo, a collaboration with Corsican singers A Filetta. Left to their own resources they explore a very broad range of material which includes original ballads by both men, improvisations, a Puccini theme from La Boheme, liturgical music, pieces by legendary Chilean songwriter Victor Jara and Uruguayan singer-songwriter Jaime Roos, music of Neapolitan composer Ernesto de Curtis, “O que sera” by Brazil’s Chico Buarque and more. Daniele Di Bonaventura has spent much of his creative life bringing aspects of jazz and music of South American traditions together, and Paolo Fresu is one of the outstanding lyrical voices of contemporary improvising. When Fresu plays muted trumpet, he makes a point of bringing Miles Davis to mind; at such moments, Di Bonaventura’s bandoneon becomes a chamber orchestra behind a soloist. The relationship between the instruments is continually changing throughout this attractive programme, recorded in the warm and spacious acoustics of Lugano’s Auditorio Stelio Molo RSI in May 2014, and produced by Manfred Eicher. (The session itself has already achieved a measure of renown: scenes from it appear in the new documentary Wenn aus dem Himmel by Italian filmmaker Fabrizio Ferraro, which is currently making the rounds of the festivals.)    

Mistico Mediterraneo album

Sketches of Corsica: the radiant lyric trumpet of Paolo Fresu glides across the massed voices of A Filetta, the singers who are both trailblazers and keepers of tradition in the realm of Corsican polyphony. The ancient and the experimental blend seamlessly in these compositions, several of them written by ensemble founder Jean-Claude Acquaviva, who has directed the singing group for more than thirty years. A powerful showing here also for Italian bandoneon innovator Daniele di Bonaventura, who contributes new music, solos imaginatively, duets with Fresu, and envelops voices and trumpet with an almost orchestral sense of form. 

No potho reposare

 

Paolo Fresu and Rembrandt Frerichs Trio “Sao Paulo”

 

Paolo Fresu

At the beginning of the '80s, trumpeter Paolo Fresu attended the Siena Summer Jazz Seminars and amazed Enrico Rava with his creativity, talent, and technique. Over the next ten years, he became a major player on the Italian scene, first with his own quintet (which is still going), then branching out in a variety of projects. After finishing his Conservatory studies, he became a teacher at the same Jazz Seminars in Siena; he lives half the year in Paris, from where he coordinates the major Time in Jazz Festival he created in his hometown. His discography numbers an astonishing 130 titles since he's been invited to play all over Europe in a variety of projects, from contemporary music to straight jazz, from dance to jazz/folk fusions.

His style is based on the classic Miles Davis sound of the '50s, and the very lineup of his quintet is reminiscent of Davis' group, with excellent tenor Tino Tracanna. They mostly play originals and the music flows fresh and engaging, never a mere imitation. Live in Montpellier (1990) and Ossi di Seppia featuring Gianluigi Trovesi, both on Splasc(h), are good representations of the different facets of the group; Shades of Chet is an affectionate tribute with Rava on Label Bleu (2001) featuring new piano talent Stefano Bollani. Sonos 'E Memoria (ACT 2001) and Metamorfosi (BMG 1999) are respectively inspired by Sardinian musical heritage and European classical Richard Strauss, their success being proof of his commitment to an open musical aesthetic. In addition to Fresu's quintet, he played in an unusual duo with bassist Furio di Castri, this became the PAF trio with the addition of Antonello Salis on piano and accordion, and another trio with English pianist John Taylor (Contos, Egea 1995), while his European quartet includes French-Vietnamese guitar player Nguyên Lê (Tales From Viêtnam, ACT, 1995).

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