In the Shape of Breathing
1.
What have I lost—
the whole fucking deal that’s what—
a question
to squelch
What’s the paucity?
the petition to regulate
green in dereliction
What’s the full tree?
full space, full of
open, open.
Open. Open.
right ear
flickers large
sloppy
meticulous ringing
clusters
nerving
the left eye the right eye
the middle hand
arm to the brain
relief from all that
2.
Old attempts fail
and the daughter leaves to crawl
toward the mountain’s ruin
vacant stomach
frozen on a stalk
and bruised
as if here
as if not
as if not
material.
3.
The transcript is lost
she’s collapsed on the floor
screaming, pounding the floor:
where is it? why is it gone?
It’s all I have,
my father’s words.
The body is gone.
The voice is gone.
The body is gone and the symbol is gone.
The graduation photo is lost the news clipping is lost
the story she wrote is lost the picture from the ski trip is lost
the transcript is lost.
4.
The body is gone and the symbol is gone—
Language is sliding.
large territories bound ground
slides all that
can be
ungrasped.
Nothing so direct as death?
But dying—
There’s a meander.
5.
Stop on the next stone
to reach an abstraction—
A hum or a buzz still
the mouth forms
a shape that unstates.
She returns to the volcano every day or so;
life of the heavy footsteps,
parallel to the river, flat stones across the stream.
Set forth, leave it.
Cross it; step across.
6.
We carry voices and place them on his body:
do we think we’re stationary
as he departs?
things press
things declare in the aggregate
monitors, precise sounds of obscure significance
she kisses him on the face, on the thin hair
7.
The body consumes itself
in every language
the body’s emptiness
swollen
the door is burning
8.
sudden appearance of birds furious
showers into many
darkening
how to run
in a vestibule
at any time feeling you can wake up
by deciding to, just—
saying,
I’ve had enough,
let me move, let me breathe.
10.
Somewhere, someone is writing this.
There, when he stands or sits up,
a newly mordant little creature lifts its paw,
explains why the boxes and the ceiling and the fires in the leaf piles
are so busy, what it feels like when the wind singes
his father’s eyelashes.