From Irrational Knowledge

Megan Burns


 

(How does it die?)

 

desired word unbounded

asks questions never answered

weaving among lines surrendered

among shoulders

a spiral for melody, a spiral

water driven & phrased

“heart hard as leather”

a dream dreamed

not yet walked

out on: dearest climbers

of ivory towers

to put this song

gutter-down my sad face

galloping away, this world without you

is an impossibility, hoofed in an octave

strapped in the volta

it was a million to one

 

 

(What must it meet up with on the dissecting table for it to look beautiful?)

 

double crossed: two versions

shift of joint in the ball socket

a dove song on limbs

folded out on the table

a discarded, opened envelope

betrayed by fingerprints

smudges in the eye creases

across the sunset

 

orange splattered about the dark

no ticket stub to mark the occasion

 

in a that sky

it’s a long armed horizon

its slice of clouding

a curve where light comes

to be eye to eye

up to the crease

the crack where I break you

 

 

 

(With what two objects would one wish to see it in the desert?)

 

cyclical bands of light, a greenery

to remember I jot down this quiet

honeysuckle, the way ivory smells

or how your hair was collected

a paring down in the sloughing off of cells

ritually I bore you up

but under wing

I wanted to splice each gamete

each stylized stamen, pistil

whipped and lovely as locks

a castling where the moat is full

of dandelions

where the tea is half nettle

half collated fingernails

 

 

 

 

(On which spot of the nude body of a woman would you place it?)

 

 

 

shattered

 

 

 

shuttled sapphire

 

 

spored scaffolding::   sound/sound

 

 

speech supplicated          slivers

 

         sirens sized   

 

                         saw

 

                            skinned

 

silvered            sideways

 

 

scar

 

    shadow         she

 

    subtitled        she

 

 

      scattered        she

 

 

 

 

 

(And if the woman were sleeping?)

 

for tracey mctague

 

above in a state of dirty corners

swept up: this sad conclusion

yew trees clipped

 

the earth opened up to spit

cat claw roots

bulbs bigger than a baby’s head

 

an avocado tree of one yellow leaf

distracts me from the story

  outside of this geography

two warblers you were

crooning a tale of cross citied

distaste

 

I sat on a wire downwind & smelled

something burning

this triangle seems darker

but its little light is how we came

to belly up bar-faced in pits of oyster shell

it was all giggles, fat tips

and a balance of encrusted

exteriors

 

 

 

(And if she were dead?)

 

in the slendered perfect

 

arm bones, leg bones, a soup

 

of hands tilted, listening, tiny ear bones

 

clicking to aside

         to aisle

         to assemble

 

a row of thorns flowering beneath the breast

a row of cutlets firming in the sun

 

I cut out bandages from loose leaf

to spoon up blood

 

spun tendons round the joints

I flexed and fidgeted

 

the lights stayed dim

no inhale on the out take

no late dream before awake

 

 

 

Megan Burns
Megan Burns

Megan Burns edits the poetry magazine, Solid Quarter (solidquarter.blogspot.com). She has been most recently published in Jacket Magazine, Callaloo, New Laurel Review, Trickhouse, and the Big Bridge New Orleans Anthology. Her book Memorial + Sight Lines was published in 2008 by Lavender Ink. She has two chapbooks, Frida Kahlo: I am the poem (2004) and Framing a Song (2010) from Trembling Pillow Press. She lives in New Orleans where she and her husband, poet Dave Brinks, run the weekly 17 Poets! Literary and Performance Series.