(b
Vienna,15 Aug 1960). Austrian composer, improviser and performer.
He attended the Vienna Musikhochschule (1979--87), where he
studied with Friedrich
Cerha and Dieter Kaufmann, among others. He also studied
musicology and art history at the University of Vienna (doctorate
1989; thesis published as Das
Synthese-Denken bei Anton Webern, Tutzing 1991). Active
as a double bassist until 1984, he played in chamber and experimental
jazz ensembles. As a composer he has contributed to the Projekt
3 composition programming environment of Gottfried Michael Koenig
at Utrecht and Arnheim (1988-89) which later transformed into
his own Realtime
Composition Library for MAX. Essl also served as composer-in-residence
at the Darmstadt summer courses (1990-94) and completed a commission
for IRCAM. In 1995 he accepted a position in computer-aided
composition at the Studio for Advanced Music & Media Technology
at the Bruckner Conservatory, Linz.
Essl's compositions result from confrontations between ordered,
abstract models and original tonal, expressive structures. He
has frequently sought to combine music with other genres and
has collaborated with the graffiti artist Harald Naegeli (Partikel-Bewegungen,
1991), the writer Andreas Okopenko and the artists' group Libraries
of the Mind (Lexikon-Sonate,
1992--8), the architect Carmen Wiederin (Klanglabyrinth,
1992-95) and the video artist Vibeke Sorensen (MindShipMind,
1996, a multimedia installation for the Internet). During the
1990s he carried out many additional projects for the Internet
and became increasingly involved with improvisation. In 1997,
Karlheinz Essl was featured at the Salzburg
Festival with portrait concerts and sound installations.
Besides writing instrumental music, Karlheinz Essl also works
in the field of electronic
music, interactive realtime compositions and sound
installations. He develops software
environments for algorithmic composition and acts as a performer
and improviser. Most of his compositions are published by TONOS
(Darmstadt).
http://www.essl.at/