Michael Peters is the author of the sound-imaging poem Vaast Bin (Calamari Press) and other assorted language art and sound works.
Text and digital-based work has appeared in journals such as Bright Pink Mosquito, unarmed, SleepingFish, Word for/Word, BathHouse Hypermedia Journal, and Hyperrhiz: New Media Cultures, among others. New work is forthcoming in Polis, and PEEP/SHOW. Visual-poetic manifestations are in avant-garde libraries, special collections, and appear in galleries, journals, and anthologies—The Last Vispo Anthology: 1998 – 2008 is the latest. Peters cut his sound-imaging teeth in the rock group Poem Rocket. He continues to explore sound-imaging in solo performances, installations, and in improvisational collaborations. Currently, he is working on a book about sound environment programming—a close study of the work of Charles Olson, John Cage, Sun Ra, and Jackson Mac Low in the post-1945 moment.